Rigoberta bandini too many drugs

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The spiritual becomes spiritual, when the production changes tempo to try to become a cumbia, and Rigoberta Bandini recites a text with a Colombian accent. It is a hint of the madness that we would later see in ‘In Spain We Called It Soledad’ and which is also portrayed in the live performance recently seen on Youtube for the Thyssen Museum at the end of the following performance uploaded to Youtube. A foretaste of what can be seen on January 23rd at the Madrid Brillante cycle in Madrid: by then Filomena will be history.

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While some of us were returning from the terraces, tasting the beginnings of the new normality and sharing the expectations that we have not been able to reach during these days of idleness, Rigoberta Bandini appeared over the night sky to celebrate all our disasters.

Rigoberta Bandini, alter ego of writer and director Paula Ribó, dropped a new energy bomb in the form of a double remix of Too many drugs, her first single. A song that speaks of the resilience of the existential, that tastes the feeling of whether the present is up to our demanding views, and that invites us to dance for everything we have and we have failed to appreciate.

After Fiesta and Que Cristo baje, Rigoberta Bandini now bets on rescuing those party shoes we had forgotten, the ones we used to wear with honors in the August festivals, and go out to dance with our spirit. Whether from Madrid or Milan; from Colombia or Canada; from the improvised karaoke that you have set up at your in-laws’ house or from the parking lot in front of your terrace.

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Respuesta. Porque ya no es sólo una persona, sino todo un universo y una forma de vida, que puede generar mucho rechazo porque era un hombre que, como muchos de su época, convivía con las mujeres de forma muy patriarcal, pero consiguió crear un estilo único con su música y su forma de cantar. De alguna manera, es muy liberador jugar a ser Julio Iglesias, a apoderarse de esos valores que siempre se han considerado masculinos.

R. Hace tiempo escribí un librito en el que escribí una frase que creo que resume muy bien esto: “Has confundido la felicidad con la euforia”. Durante años la he confundido, creo que los de mi generación la hemos confundido mucho.

R. Está muy normalizado, lo que no me parece del todo perjudicial. Lo peligroso es la banalización, porque al final son tóxicas, pero me parece todo el ritual por el que unos amigos deciden un día entrar en otro estado: abrazarse, quererse y decirse cosas increíbles. No hago apología de las drogas, pero nos han dado cosas muy bonitas y quien diga que no, no ha probado las buenas.

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SHANGAY ⇒ Is Rigoberta going to become an artistic alter ego separate from Paula?RIGOBERTA BANDINI ⇒ No, Rigoberta is me. When I perform the songs live it’s me enrigoberta… In the end, it’s a part of me.

SHANGAY ⇒ As a voice actress, has that experience also helped you when it comes to voicing Rigoberta?RIGOBERTA BANDINI ⇒ It helps me to have more vocal personality. I have trained myself since I was very young to find different registers; when it comes to singing, having the ability to trust and relax your voice helps a lot, regardless of how good your instrument is. I’ve been living off it all my life, and it has never let me down. My voice is my ultimate ally.

SHANGAY ⇒ None of your songs are ‘jokes’. With Too Many Drugs you can laugh, but at the same time it has a strong spiritual component…RIGOBERTA BANDINI ⇒ My songs are like life: you can’t take them as a joke, but at the same time, yes. They have weight, but at the same time, if you don’t want to see it, you don’t have to. Too Many Drugs starts from an introspective place: in it I tell about a life change, and at the end it’s like “hey, it’s all good!”. That’s how I lived it.