Contenidos
Paseo de la chopera 14
Matadero Madrid ofrece la posibilidad de alquilar una bicicleta a orillas del Parque Madrid Río. Gestionada por Mobeo smart transport, la tienda de alquiler de bicicletas es también una sala de exposición de productos ciclistas para comprar o alquilar.
Situada en Cineteca Madrid. Allí podrás disfrutar de la cocina que ofrece “Olivia te Cuida”, un proyecto culinario diferenciado dirigido a todos aquellos que aprecian la comida casera, sana, ecológica y bien preparada. La Cantina es un espacio acogedor que también ofrece un patio y es un lugar ideal para disfrutar del cine al aire libre cuando hace buen tiempo.
Si quieres más información sobre espacios y reservas, visitas guiadas al local o tarifas, puedes contactar con el Departamento de Eventos de Madrid Destino en [email protected] o en la web www.madrid-destino.com
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In the time of Fernando VI, several promenades were created throughout the southern part of the city up to the Manzanares River. They serve as access to the city and as a recreational area for the citizens. The promenades are arranged in a trident: three streets that leave from the same square. The neighborhood of La Chopera is located between two of these promenades, which started from the current traffic circle of Emperor Charles V: the Delicias, to the east, which led to the area known as the Delicias del río, and Santa María de la Cabeza, to the west, which led to the hermitage of the same name. Many of them are named after the trees planted in them, such as the Chopera.
In 1770, Carlos III approved the construction of the Real Canal del Manzanares, a project that had been contemplated for two centuries to make the Manzanares navigable to the Tajo and from there to Seville. The land of the Arganzuela pasture was chosen for the headwaters. However, much of the land was occupied by private individuals, as the heirs of the former owners of the meadow had been occupying the common lands, so that in 1772 a new demarcation had to be made, which led to a series of lawsuits.
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An irreverent and carnal political drama about the confrontation between Danton and Robespierre in the revolutionary France of 1789 with references to postmodern culture. Parallel activities to the play El caso Danton Cineteca Matadero, Paseo de la Chopera, 14…
EXTENDED UNTIL JANUARY 8! (January 5, no performance) LÁZARO today Today more than ever, El Lazarillo de Tormes lends itself to dramatize the power relations between master and servant, and, by extension, human relations where hierarchy, although it may be…
Synopsis A breakdown in his brand new cherry-colored Studebaker forces Alfredo Traps, General Representative of a textile company, to accept the hospitality of an old gentleman who lives alone with his housekeeper in a house lost in the middle of nowhere. That night…
In both substance and form, Javier Ortiz’s play “José K.” -which I had the great privilege of being one of the first to read-, is an impressive plea against the perversions of spirit that can make man, too often unfortunately…
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Matadero Madrid is a living and changing space at the service of creative processes, participatory artistic training and dialogue between the arts. It was born with the desire to contribute to the reflection on the contemporary socio-cultural environment and with the vocation to support the processes of construction of the culture of the present and the future.
In Roman Signer’s work, the artistic act assumes a predominantly experimental character, which implies valuing the notions of contingency, duration and unpredictability. All this is done with a disconcerting simplicity, with an imagery that oscillates between a sense of absurdity, violence and melancholy, but from which, at the same time, emanates an innocent energy and surprising humor.
In this context, film (and more recently video) has been a privileged medium for the realization or documentation of events. On display in this exhibition is a selection of 10 16 mm films that Roman Signer made in the 1970s and 1980s. This selection has focused on works that are related to fire, which should be understood as a response of the artist to the characteristics of the Abierto x Obras room, specifically to the presence of vestiges of a fire that happened in the past.
